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UGREEN 10405 Mini DP to DVI Converter Cable 2M
UGREEN 30875 USB 2.0 A Male To Micro USB + USB-C Male 3A Data Cable – 1M
UGREEN 50942 Angled USB-C Male To USB2.0 A Male 3A Data Cable (90°Angle) – 2M
UGREEN 60118 USB-A 2.0 to USB-C Cable Nickel Plating 2m (Black) #US287
UGREEN 60147 Micro USB Male To USB 2.0 A Male Cable – 1.5M
UGREEN 60157 Lightning To USB 2.0 A Male Cable – 1.5M
UGREEN 70315 Angled USB-C Male To USB2.0 A Male 3A Data Cable (180°Angle) – 2M
UGREEN AV102 (10512) 3.5mm to 2x RCA Audio Cable – 3M
UGREEN AV102 (10513) 3.5mm to 2x RCA Audio Cable – 5M
UGREEN AV102 (10514) 3.5mm to 2x RCA Audio Cable – 10M
UGREEN AV104 (10518) 2x RCA to 2x RCA Cable – 2M
UGREEN AV104 (10519) 2x RCA to 2x RCA Cable – 3M
UGREEN AV104 (10520) 2x RCA to 2x RCA Cable – 5M
Ugreen AV104 (30747) 2x RCA Male to Male Cable – 1M
UGREEN AV108 (10541) Toslink Optical Audio Cable – 3M
UGREEN AV108 (10542) Toslink Optical Audio Cable – 1.5M
UGREEN AV112 (10688) 3.5mm Male To Male Round Cable – 3M
UGREEN AV112 (10689) 3.5mm Male To Male Round Cable – 5m
UGREEN AV116 (10584) 3.5mm to 2RCA Cable – 2M
UGREEN AV116 (10749) 3.5mm to 2RCA Cable – 1M
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.