Color
UGREEN US132 (20103) USB-C to Micro B Cable 1M
UGREEN US133 (10396) Micro USB 2.0 OTG Adapter Cable
UGREEN US135 (10350) USB 2.0 AM to BM Print Cable 1.5M
UGREEN US135 (10351) USB 2.0 AM to BM Print Cable 3M
UGREEN US135 (20847) USB 2.0 AM to BM Print Cable 2M
UGREEN US171 (60749) Male USB-C to Lightning Cable – 2M
UGREEN US175 (20826) USB 3.0 Extension Cable – 5M
UGREEN US175 (20827) USB 3.0 Extension Cable – 10M
UGREEN US176 (20857) Right Angle USB-A to C Cable – 1M
UGREEN US199 (60156) Lightning to USB Cable Aluminum Case with Braided 1m (Black)
UGREEN US210 (10372) USB A to USB B 3.0 Printer Cable – 2M
UGREEN US210 (30753) USB 3.0 AM to BM Print Cable – 1M
UGREEN US241 (40417) USB-C to USB 2.0 Print Cable – 1.5M
UGREEN US255 (50122) USB 2.0 Type-C to C Right Angled Braided Cable – 0.5M
UGREEN US264 (60519) Type C to Type C Cable
UGREEN US277 (10376) USB2.0-A to DC 3.5mm M/F Charging Cable – 1M
UGREEN US284 (50941) Right Angle USB-A to USB-C Cable 1m (Space Gray)
UGREEN US286 (10306) USB-C 2.0 Male To USB-C 2.0 Male 3A Data Cable – 2M
UGREEN US286 (50997) USB 2.0 Type-C to Type-C Cable 1M
Ugreen US287 (60122) USB Type-C Charging Cable 1.5M White
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.